This lecture offers a research-based overview of Generation X lesbian artists in the post-Yugoslav space from the 1990s to today. It examines how war, post-war realities, nationalism, and post-socialist transition shaped artistic practices, networks, and conditions of (in)visibility, and how lesbian artists responded to erasure by creating counter-archives of memory, solidarity and resistance. Drawing on long-term research, the lecture maps shared patterns, shifts over time, and the political significance of lesbian art within post-Yugoslav cultural history.